The Visual Analysis of an Inside Joke explores furniture as a medium for storytelling. Through handcrafted furniture, poetry, form, and material, the work examines how personal experiences can be translated into physical objects and how objects can hold memories, conversations, and layers of meaning.

The work is rooted in interactions with people, places, and objects. Conversations with my mother, a fleeting question from a stranger at a convenience store, moments of curiosity, and the silhouettes of furniture from my childhood home all serve as fragments of a larger narrative. These experiences are personal and often ordinary, but through memory and reinterpretation, they become sources for form, material, and poetry.

Like an inside joke, each piece contains meanings that may not be immediately apparent to the viewer. Some references are specific to my own experiences, while others are intentionally open to interpretation. Rather than presenting a single, complete narrative, the work allows meaning to develop through the relationship between the object, the material, the written word, and the viewer's own associations.

Material selection is central to this process. Swamp ash, red oak, khaya, sapele, ofram, brass filigree beads, broomcorn, and coconut husk and fiber weave are chosen for their physical qualities as well as their connections to the narratives within the work. Grain, texture, color, weight, and surface become tools for translating memory and experience into form.

Through the combination of furniture, poetry, and material exploration, The Visual Analysis of an Inside Joke invites viewers to consider how everyday experiences can be transformed into objects that carry stories, memories, and personal meaning.

Location: Trisolini Gallery, Baker Center, Ohio University, Athens, Ohio

Year: 2025

The visual analysis of an inside joke